still building the car..just got customers stuff to work on...but,i do have all the parts.the frame built and most of it mocked up..
Hi everybody, Always heartwarming to see this stuff from you guys, I appreciate it. I've got a bunch of new paintings coming, as my Copro-Nason solo show is on April 7th, (I know, Vegas Sat.) also Robt.Wms. book signing at La Luz same night, But I hope to catch a few stragglers anyway. Check my events page on my site, (the piece advertising the show was already snagged by Joyo) Juke joint, I got an F-1 finally but I need some stuff for it. I got one that needs just about everything done, so no instant gratification. Wayne, I told you I was a liar, but you didn't believe me. I don't remember what night that was, but I did get more liquids than solids in Australia. I had an emu sneek up on me too, those things aren't right. My dad doesn't have a internet since he left Custom Rodder, so his team of experts has to keep him up to date on the latest slander. The model cars are neat, I'm in love with my "Big T" kit right now. Sam, good luck with the bike, I know safety is your middle name. Looks to be cool. So, check out the show- Thanks, Keith
Keith, I'm looking forward to seeing you again at the LoneStar RoundUp and I'm hoping your table isn't as bare as it was last time. I'd sure like to pick up a print or two along with a couple of t-shirts.........I'll find you earlier in the day this time.
You know after going through the 5 pages i have realised there is nothing of Keiths that i don't like . Its like it makes you feel your back there. I have 3 of his fine works in my shop.Look forward to getting more.
Keith and his wife are just super nice people. I used to sell t-shirts and Weesener stuff was always super popular.
I've been a huge fan of Keith's work for over a decade now, and from the start, I couldn't help but notice the similarities between his style and that of Edward Hopper, one of my favorite American artists. I'm in no way infering that Keith's work "copies" Hopper's. Every artist has influences, and I think Hopper is probably one of his. But, Keith's style is still very much his own. Edward Hopper's most famous painting, is probably his 1942 "Nighthawks". Most people will recognise the copy of this painting as "Boulevard of Broken Dreams" by Gottfried Helnwein, featuring Marilyn Monroe, Humphey Bogart, James Dean, and Elvis. Keith's work, as well as Hopper's, has such ambience. One thing in common, is that objects often extend into and out of the picture, cropped, and the seen is framed by partial objects, making us outside observers. The imagery of Keith's work, whether it be the cars, girls, architecture, or natural seenary, is open to interpretation, invoking our own sense of feeling and introspectiveness. Hopper frequently depicted female figures, **** or clothed, but in my opinion rather homely, unlike the very hot and sensual girls in Keith's work. The thing I love most about Keith's work, aside from the awsome automotive and human subjects, is the brilliant effects of color, light and shadow. One thing I've noticed about Keith's work is that he almost never uses pure primary colors, instead gradations of a single hue, but still very rich with color. The whole seen is suffused by an unreal light, illumination with no harsh shadows, that invokes such ambience, atmosphere and mood, much like Hopper's. I'm glad Keith's a young guy, so we still have decades of his work yet to come. Viva Weesner!
The Jalopy Journal
